In November 2009 I attended the Parliament of World Religions in Melbourne. The program offered hundreds of sessions for roughly 7,000 conference participants. Each day provided numerous sessions focused on indigenous and aboriginal culture. For me, attending these sessions became a fast-track introduction to the cultural practices and issues facing Australian aborigines from their perspective.
One session was led by several Ngarinyin elders of the North-West Kimberly region and was entitled Maama—The Untouchables Ones: From Cave to Canvas. The session introduced us to a Ngarinyin art project currently underway which involved participants in one of the Ngarinyin people’s essential ceremonies. This ceremony inadvertently surfaced one of many dilemmas that can mark attempts to share practices across industrialized and earth-based cultures.
Maama refers to images in ancient cave paintings of their God Wanjina who created the immutable law of the land that governs many aspects of their traditional lives.
Until recently the cave art was ‘untouchable’ and only shown to members of the Ngarinyin communities, and sometimes not even to them. A Caucasian woman who has worked with these aborigines for some years opened the session. As a creative director, she supports the Ngarinyin’s effort to […]