Rites of Passages and Wisdom Emerging

A couple of months ago I participated in the Wisdom Emerging retreat at IONS with Alan Briskin, Lauren Artress and Angeles Arrien. I began making the painting above during the retreat’s expressive arts process and completed it a couple of weeks later. The painting symbolizes significant aspects of the rite of passage that I am currently in. Here are my thoughts about the making of the painting and what it represents. As always I welcome your comments and questions.

Technique and Australian Symbolism

The painting is made within the art tradition of the Eastern Arrernte People of the Central Desert in Australia. I have been very inspired by the art of Kathleen Kemarre Wallace. She uses extremely bright colors and very intricate designs to tell the story of her people and her land. It is worth mentioning here that there are tight protocols about who can produce Aboriginal art. I have had to deal with this issue since I began exploring Aboriginal art making when I first moved to Australia. It is very important to state here that my art is not Aboriginal art. My art has primarily been an inquiry into Aboriginal culture. […]

That Old Man

In only a few minutes, this video conveys in powerful images and simple language how the Aboriginal people and their ‘country’, their art and their stories, and their songs and ceremonies are part of one another and, in fact, inseparable. Watching this film, I am reminded of Gregory Bateson’s comment that the aesthetic, the whole and the sacred evoke each other.

Having just returned from the Central Desert the second time and participating in Women’s Business at some very special sacred sites, I have begun to grasp in a new way what the notion of homeland or ‘country’ may mean to the Aboriginal people and how healing the land is healing ourselves.

Enjoy this glimpse into a completely different kind of human relationship to the natural environment, visible or not.

This post was originally published in my blog Liminal Songlines. The intention of that blog was to help capture my initial understanding of the spiritual healing traditions of the Aboriginal peoples of Australia while I lived in Australia from 2009 to 2012. Much of what I learned there is relevant to my continuing explorations of […]

Dreamtime or Time for Dreaming – Two

Dreamtime

Sometime after the painting Incubation: Lizard Dreaming was done, I looked online to find any references to animal totems in Australian Aboriginal culture. This is when I gained my first real understanding of the concept of Dreamtime. The English word ‘Dreamtime’ is a significant idea that tries to capture how aboriginal people relate to their period of creation that are expressed in their many tribal and land specific creation stories. Generally, Dreamtime refers to the time of creation, the time before time, when the world came into being. It was during the creation period when ancestral beings created landforms such as lagoons and mountain ranges as well as the first plants and animals.

Aboriginal people often interpret dreams as a memory of things that happened during this Creation Period and consider dreams as a means to transport us back to Dreamtime. The term “Dreamtime” in Aboriginal mythology is not really about a person having a dream or a vision but rather a dream is a reference to this Creation Period. Given this understanding, for example, this incubation time in my life, where I am nurturing a vision for my future and receive […]

Dreamtime or Time for Dreaming – One

I made the painting, Incubation: Lizard Dreaming, two months after I arrived in Australia. Making this painting was my first exploration of aboriginal symbolism and mythology and during the process the painting became a reflection of the rather ambiguous state I have been in. I want to share with you a few insights I gained into aboriginal art, symbolism and Dreamtime, as well as about this painting and myself. I share these small discoveries with sincerity as well as with a sense of humility because I am an eager and earnest learner, and because I otherwise would not muster the courage to reveal to you the cultural and artistic naïveté with which I approached the composition of this painting. Little did I know that in the end the painting turned out to be a depiction of an American lizard incubating the vision of a German woman amidst the shifting sands of the Australian desert.

 

Lizards

I was drawn to include a lizard in a painting for a couple of reasons. I had been intrigued by the many tiny lizards in our backyard and that there are over 520 species of lizards in Australia. […]