Rites of Passages and Wisdom Emerging

A couple of months ago I participated in the Wisdom Emerging retreat at IONS with Alan Briskin, Lauren Artress and Angeles Arrien. I began making the painting above during the retreat’s expressive arts process and completed it a couple of weeks later. The painting symbolizes significant aspects of the rite of passage that I am currently in. Here are my thoughts about the making of the painting and what it represents. As always I welcome your comments and questions.

Technique and Australian Symbolism

The painting is made within the art tradition of the Eastern Arrernte People of the Central Desert in Australia. I have been very inspired by the art of Kathleen Kemarre Wallace. She uses extremely bright colors and very intricate designs to tell the story of her people and her land. It is worth mentioning here that there are tight protocols about who can produce Aboriginal art. I have had to deal with this issue since I began exploring Aboriginal art making when I first moved to Australia. It is very important to state here that my art is not Aboriginal art. My art has primarily been an inquiry into Aboriginal culture. […]

Hunting for Honey Ants

During one of my visits to the Central Desert to participate in the women’s ceremonies, several Aboriginal women went hunting for honey ants and took a friend of mine and me along. Before we left I knew very little about these ants except that they had a great cultural significance to the Aboriginal people. In the middle of the day we spent several hours out bush in the sweltering heat hunting and  digging for these ants and what we received in return was priceless. Aside from tasting the sweet nectar of these honey ants, I was able to witness the refined perceptive powers of Central Desert people, hear a story that sensitized me to the pain of Aboriginal women, appreciate the nourishing power of one of their bush foods, and see how Aboriginal symbols as found in many of their paintings reflect what we can observe in nature. Shortly after this particular trip to the desert I made the painting above to capture the story of our experience that day.

As we took off for the hunt, the burning sun penetrated our bodies and the red sand drenched in sunlight radiated heat […]

2019-02-02T01:06:02+00:00March 24th, 2011|Culture, Indigenous Wisdom|0 Comments

Life As Ceremony

A few posts ago I shared my perception that ceremonies are a collective healing response to the existential experiences of being human. This clarity crystallized when I participated earlier this year in Women’s Business (Ceremonies) with Aboriginal Elder Women in the Central Desert. Previous experiences with indigenous ceremonies elsewhere, helped shape the foundations for this understanding.

Ceremonies in general are a way to step out of the ordinary goings-on of daily life to enter a sacred space for personal and collective healing through praying, singing, dancing, silence and the laying on of hands. Ceremonial practices generate movement toward wholeness and wellness by removing the blockages and heavy energy that we accumulate as part of living daily life. These blockages and layers of heavy energy prevent us from feeling and recognizing one’s belonging to this world, that we are an integral part of the great weave of life, and that the living energy travels among, through and between us.

My experience in the Central Desert reflected and confirmed other experiences I have had with indigenous people: in Africa with the Kalahari Bushman, with the Andean indigenous People of Peru, and with Native American ceremonies […]

Women’s Business, Women’s Ceremony – One

Ceremonies are a collective healing response to the elemental and existential experiences of being human. As we dance, pray, chant, make offerings, surrender, and feel heard and witnessed by one another and the great mystery of which all spirits, all gods, and all that is divine are a part, our shared humanity becomes visible, and our place within this great weave of life is affirmed. Ceremony is healing and an enactment of wholeness.

The Sacred Centa: Uluru (Ayers Rock)

Last March I joined a group of nearly 30 women who traveled from across the country and overseas to the Central Desert to be in ceremony with local Aboriginal women. We spent four nights and five days camping out at a sacred women’s site about 20 minutes away from Uluru (also known as Ayers Rock). Uluru is the most sacred site to the Aboriginal people of that area and over the years Uluru has become the most dominant symbol of the Central Desert as well as a tourist destination for many travelers. However, for most outsiders the area is only accessible by flying into the small airport […]

Dreamtime or Time for Dreaming – Two

Dreamtime

Sometime after the painting Incubation: Lizard Dreaming was done, I looked online to find any references to animal totems in Australian Aboriginal culture. This is when I gained my first real understanding of the concept of Dreamtime. The English word ‘Dreamtime’ is a significant idea that tries to capture how aboriginal people relate to their period of creation that are expressed in their many tribal and land specific creation stories. Generally, Dreamtime refers to the time of creation, the time before time, when the world came into being. It was during the creation period when ancestral beings created landforms such as lagoons and mountain ranges as well as the first plants and animals.

Aboriginal people often interpret dreams as a memory of things that happened during this Creation Period and consider dreams as a means to transport us back to Dreamtime. The term “Dreamtime” in Aboriginal mythology is not really about a person having a dream or a vision but rather a dream is a reference to this Creation Period. Given this understanding, for example, this incubation time in my life, where I am nurturing a vision for my future and receive […]