Recovering an Indigenous View of the World: The Sundance

The Sundance Ceremony of the North American Great Plains People (which includes territories of the Cree people in Canada) is a prayer for life, the renewal of the world and thanksgiving. Dancers make spiritual and physical offerings to ensure the well-being of others.

In the previous post, I wrote about the possibility of recovering an indigenous view of the world and how building bridges of understanding between indigenous and non-indigenous people can help create shifts toward a more holistic, ecological, spiritual, resilient and life affirming approach.

In this post, The Sundance, I share my personal experiences participating in the ceremony. I describe shifts in my awareness, my felt sense, and the energetic movements I experienced. Several times, I apply what I have come to understand from my long-time exploration of ceremonial practices to my experience of the Sundance. I also share a few comments about the traditional meaning and purpose of the Sundance while trying to avoid details that I feel are not mine to share, especially as as a non-Cree and non-Native

I offer this post to give a sense of what it is like to encounter an indigenous view of the world by […]

Recovering An Indigenous View of the World: Reflections on A Cree Sundance

* How can a person immersed in western society recover an indigenous worldview? What are the ways that indigenous and non-indigenous people can build bridges of mutual appreciation and understanding? Can building such bridges help create shifts and a transformation toward a more holistic, ecological, spiritual, resilient and life affirming approach?

In this and the next posts, I share about my experience of participating in a Cree Sundance near Calgary, Canada. Rather than going right into describing the experience, in this post, I reflect on the challenges and opportunities of crossing cultural boundaries and world views and why it is important to explore them.

RECOVERING AN INDIGENOUS VIEW OF THE WORLD

Inclusion: A Necessary Step toward Collaboration

A few weeks ago, I participated in my first Sundance ceremony with the Cree people, in the foothills of the Rocky Mountains near Calgary, Canada. It is not a regular practice for Native people to invite non-Natives. This group’s openness to share their ceremony with people from across cultures makes me hopeful for our future. For those who participate from other cultures or traditions, the ceremonies open the door to experiencing the Cree’s cultural practices and […]

Harvesting Liminal Songlines – Honoring the Aboriginal Tradition of Australia

Uluru at Dusk, Central Desert, Australia

This past fall I went live with my new website giselawendling.com and blog Liminal Pathways. Liminal Pathways is also the title of a framework I have developed based on my evolving understanding of rites of passages as an archetypal framework for understanding human systems change. The word liminal comes from the Latin and means threshold or margin. It alludes to the in-between period in a change process where we are no longer the old and not yet the new, when the transformative process is the most active. The Liminal Pathways blog features essays on this topic.

In this post I introduce 13 essays that are very special to me and which I originally wrote for my Liminal Songlines blog. I these essays I reflect on my experiences exploring the spiritual healing tradition of the Aboriginal people of Australia while I was living there from 2009 to 2012. I write about the timeless wisdom of the Aboriginal people, their ceremonial practices and art, what they can teach us about relating to the land, […]

Rites of Passages and Wisdom Emerging

A couple of months ago I participated in the Wisdom Emerging retreat at IONS with Alan Briskin, Lauren Artress and Angeles Arrien. I began making the painting above during the retreat’s expressive arts process and completed it a couple of weeks later. The painting symbolizes significant aspects of the rite of passage that I am currently in. Here are my thoughts about the making of the painting and what it represents. As always I welcome your comments and questions.

Technique and Australian Symbolism

The painting is made within the art tradition of the Eastern Arrernte People of the Central Desert in Australia. I have been very inspired by the art of Kathleen Kemarre Wallace. She uses extremely bright colors and very intricate designs to tell the story of her people and her land. It is worth mentioning here that there are tight protocols about who can produce Aboriginal art. I have had to deal with this issue since I began exploring Aboriginal art making when I first moved to Australia. It is very important to state here that my art is not Aboriginal art. My art has primarily been an inquiry into Aboriginal culture. […]

That Old Man

In only a few minutes, this video conveys in powerful images and simple language how the Aboriginal people and their ‘country’, their art and their stories, and their songs and ceremonies are part of one another and, in fact, inseparable. Watching this film, I am reminded of Gregory Bateson’s comment that the aesthetic, the whole and the sacred evoke each other.

Having just returned from the Central Desert the second time and participating in Women’s Business at some very special sacred sites, I have begun to grasp in a new way what the notion of homeland or ‘country’ may mean to the Aboriginal people and how healing the land is healing ourselves.

Enjoy this glimpse into a completely different kind of human relationship to the natural environment, visible or not.

This post was originally published in my blog Liminal Songlines. The intention of that blog was to help capture my initial understanding of the spiritual healing traditions of the Aboriginal peoples of Australia while I lived in Australia from 2009 to 2012. Much of what I learned there is relevant to my continuing explorations of […]

Women’s Business, Women’s Ceremony – Two

Sacred Women’s Business

Women’s Business is sacred business and it is secret business. During the ceremony important cultural knowledge and sacred practices are shared and the agreement is that participants do not talk about the particulars of the ceremonies with those who have not participated in them before.  However, we were given permission to share about the going-ons of the visiting women’s camp since we were not doing ceremony with Aboriginal elders there. We were also asked not to take any photos while in either camp and to refrain from journaling, especially notes about the going-ons in the ceremony. We were asked to come with an empty mind and to be present to what is. I have often found photo-taking during sacred activities to be somehow disturbing the feel or energy of what was unfolding in the moment and refraining from journaling helped me stay more present with what was moving through me and before me rather than spending time in reflection and analysis. (I will share a few comments about the above painting later in this post.)

I have made […]

Women’s Business, Women’s Ceremony – One

Ceremonies are a collective healing response to the elemental and existential experiences of being human. As we dance, pray, chant, make offerings, surrender, and feel heard and witnessed by one another and the great mystery of which all spirits, all gods, and all that is divine are a part, our shared humanity becomes visible, and our place within this great weave of life is affirmed. Ceremony is healing and an enactment of wholeness.

The Sacred Centa: Uluru (Ayers Rock)

Last March I joined a group of nearly 30 women who traveled from across the country and overseas to the Central Desert to be in ceremony with local Aboriginal women. We spent four nights and five days camping out at a sacred women’s site about 20 minutes away from Uluru (also known as Ayers Rock). Uluru is the most sacred site to the Aboriginal people of that area and over the years Uluru has become the most dominant symbol of the Central Desert as well as a tourist destination for many travelers. However, for most outsiders the area is only accessible by flying into the small airport […]

Rites of Passages: Pivoting at the Edge with Spirit

Please feel free to download Understanding Rites of Passages. for a more conceptual overview, its traditional use and application to our contemporary experiences of change. It also provides a few essential references.

 

Change is central to the human experience. Its patterns and rhythms follow ancient archetypal processes that can be observed wherever a death and birth cycle takes place—in nature or the human community. Indigenous traditions have a rich repertoire of knowledge about these archetypal processes and have developed practices that support individuals and communities to more fully and consciously engage, guide and work with the momentum that is present in change. Rites of passage is one of those archetypal processes. Compared to many contemporary models of change this model acknowledges the centrality of the spiritual nature that is at the core of transformative change.

Recently I led a session on Rites of Passage for the Sydney’s Facilitators Network that was entitled Change Agents at the Gates of Transformation: Using an Ancient Approach to Harness the Vital Forces in Contemporary Experiences of Change. I designed the session so that the participants could explore an experience of change […]

Dreamtime or Time for Dreaming – Two

Dreamtime

Sometime after the painting Incubation: Lizard Dreaming was done, I looked online to find any references to animal totems in Australian Aboriginal culture. This is when I gained my first real understanding of the concept of Dreamtime. The English word ‘Dreamtime’ is a significant idea that tries to capture how aboriginal people relate to their period of creation that are expressed in their many tribal and land specific creation stories. Generally, Dreamtime refers to the time of creation, the time before time, when the world came into being. It was during the creation period when ancestral beings created landforms such as lagoons and mountain ranges as well as the first plants and animals.

Aboriginal people often interpret dreams as a memory of things that happened during this Creation Period and consider dreams as a means to transport us back to Dreamtime. The term “Dreamtime” in Aboriginal mythology is not really about a person having a dream or a vision but rather a dream is a reference to this Creation Period. Given this understanding, for example, this incubation time in my life, where I am nurturing a vision for my future and receive […]

Dreamtime or Time for Dreaming – One

I made the painting, Incubation: Lizard Dreaming, two months after I arrived in Australia. Making this painting was my first exploration of aboriginal symbolism and mythology and during the process the painting became a reflection of the rather ambiguous state I have been in. I want to share with you a few insights I gained into aboriginal art, symbolism and Dreamtime, as well as about this painting and myself. I share these small discoveries with sincerity as well as with a sense of humility because I am an eager and earnest learner, and because I otherwise would not muster the courage to reveal to you the cultural and artistic naïveté with which I approached the composition of this painting. Little did I know that in the end the painting turned out to be a depiction of an American lizard incubating the vision of a German woman amidst the shifting sands of the Australian desert.

 

Lizards

I was drawn to include a lizard in a painting for a couple of reasons. I had been intrigued by the many tiny lizards in our backyard and that there are over 520 species of lizards in Australia. […]